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Items By Category: All Categories: Art History
35 items found.   List items by:   Author     Title     Publisher
1.   Abell, Walter
The Collective Dream in Art. A Psycho-Historical Theory of Culture Based on Relations Between the Arts, Psychology, and the Social Sciences.
 
Publisher: Schocken Books, NY ['First Schocken edition 1966']
xv, 378 p., index, 39 plates. First published 1957. "The arts are to society what dreams are to the individual. ...what has been called the 'psycho-historical' theory [is] that the arts, myths, and other forms of cultural expression are symbolic projections of underlying mental states of the society that produces them, caused, in turn, by the outward circumstances of life." Paper; VG. Stock#24599.

Appr.: | AUD 13.26 CAD 13.44 EUR 9.26 GBP 7.35 JPY 1,250.00 MXN 156.25 ZAR 131.58 

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2.   Arnheim, Rudolf, 1904-2007
Visual Thinking
 
Publisher: Berkeley, University of California, 1969
xi, 345 p. illus., 26 cm. "Asserts that all thinking (not just thinking related to art or other visual experiences) is basically perceptual in nature." Stock# 30,227. Vg/ dj vg.

Appr.: | AUD 21.21 CAD 21.51 EUR 14.81 GBP 11.76 JPY 2,000.00 MXN 250.00 ZAR 210.53 

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3.   Arnheim, Rudolf, 1904-2007
Toward A Psychology of Art; Collected Essays.
  Picture
Publisher: Berkeley, University of California Press, 1972, [c1966].
viii, 369 p. illus. (part col.) 22.5 cm. A collection of 24 essays grouped in six sections. From the library of Prof. Vincent Tomas of the Brown University Department of Philosophy. Stock# 44,119. Vg / soft cover.

Appr.: | AUD 10.60 CAD 10.75 EUR 7.41 GBP 5.88 JPY 1,000.00 MXN 125.00 ZAR 105.26 

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4.   Arnheim, Rudolf, 1904-2007
Art and Visual Perception: A Psychology of the Creative Eye, The New Version
  Picture
Publisher: Berkeley, University of California Press [1974]
x, 508 p., 2 p. of plates, ill.; 23 cm. Ten chapters: Balance - Shape - Form - Growth - Space - Light - Color - Movement - Dynamics - Expression. Stock#45535. Vg/ soft cover.

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5.   Berenson, Bernard, 1865-1959
Seeing and Knowing
 
Publisher: Greenwich, Ct., New York Graphic Society [1968]
[92] p., 61 illus.; 21.5 cm. Berenson wrote this paean to representational art at Vallombrosa during the summer of 1948 (representational art is based on a compromise between what we see and what we know of the physical universe). Stock#38151. Vg/ dj vg.

Appr.: | AUD 15.91 CAD 16.13 EUR 11.11 GBP 8.82 JPY 1,500.00 MXN 187.50 ZAR 157.89 

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6.   Blunt, Anthony, 1907-1983
Artistic Theory in Italy 1450-1600
 
Publisher: Oxford, Clarendon Press [1959]
viii, illus. 168 p. 21 cm. 2nd, corrected, impression. Arntzen/ Rainwater I323. Stock #29,468. Vg/ dj vg, soiled .RENAISSANCE ITALIAN PAINTING

Appr.: | AUD 42.42 CAD 43.01 EUR 29.63 GBP 23.53 JPY 4,000.00 MXN 500.00 ZAR 421.05 

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7.   Chipp, Herschel Browning
Theories of Modern Art; A Source Book by artists and critics. / Herschel B. Chipp
 
Publisher: Berkeley, University of California Press, 1968
xv, 664 p. illus., ports. 26 cm. Contributions by Peter Selz and Joshua C. Taylor. Series California studies in the history of art; 11. Bibliography: p. 627-651. Srock# 36,729. Vg, spine faded/ no dj.

Appr.: | AUD 31.81 CAD 32.26 EUR 22.22 GBP 17.65 JPY 3,000.00 MXN 375.00 ZAR 315.79 

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8.   Colman, Samuel, 1832-1920. Coan, Clarence Arthur, 1867-1934.
Nature's Harmonic Unity. A Treatise on its Relation to Proportional Form. By Samuel Colman. Edited by C. Arthur Coan...
 
Publisher: Mansfield Centre, CT, Martino Publishing, 2004
with 302 illustrations by the author. xx, 265 p. illus., plates, diagrs., index; 24 cm. "The mathematical analysis by the editor." Originally published: New York & London, G. P. Putnam's Sons, 1912. "His later work shows the influence of the barbizon painters in bucolic, unpopulated scenes, broadly executed. Colman was a many-faceted man: etcher, collector, and authority on oriental art and porcelains. He did some interior design and worked for Louis Comfort Tiffany and John Lafarge in the 1880s. He wrote two books on art, Nature's Harmonic Unity, and Proportional Form." (1755x). Fine; new from publisher.

Appr.: | AUD 58.32 CAD 59.14 EUR 40.74 GBP 32.35 JPY 5,500.00 MXN 687.50 ZAR 578.95 

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9.   Denis, Maurice, 1870-1943
Teorías 1890-1910: Del Simbolismo y de Gauguin hacia un nuevo orden clásico / Maurice Denis
 
Publisher: Buenos Aires, El Ateneo, 1944
334 p., [51] pages of plates, (some col.) 21 cm. Traducción y prólogo de Jose de España. Translation of Theories, 1890-1910, first pub. Paris, 1920. Stock# 36,138. Good, bound in linen/ no dj.

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10.   Dessoir, Max, 1867-1947. Munro, Thomas. Emery, Stephen A., translator.
Aesthetics and Theory of Art. Ästhetik und Allgemeine Kunstwissenschaft Translated by Stephen A. Emery with a Foreword by Thomas Munro.
 
Publisher: Detroit, Wayne State UP, 1970
453 p., indexes. In 1906 Professor Dessoir founded the first journal of aesthetic theory, Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft. Chapters in this work include The Aesthetic Object (Harmony and Proportion; Rhythm and Meter; Size and Degree); The Aesthetic Experience (The Sensory Feelings; The Feelings of Form; The Feelings of Content); The Primary Aesthetic Forms; The Creative Activity of the Artist; The Origin of Art and the System of the Arts; Musical and Mimic Art; The Art of Words; Spatial and Figurative Arts; The Functions of Art. Dj; VG. Stock#22808.

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11.   Dewey, John, 1859- 1952
Art as Experience.
  Picture
Publisher: New York, Minton, Balch, & Company, [c1934.]
vii, [1] p., 3 L., 3-355 p. front., plates. 24 cm. "Seventh impression." Based on Deweys lectures on esthetics, delivered as the first William James Lecturer at Harvard (1932), Art as Experience has grown to be considered internationally as the most distinguished work ever written by an American on the formal structures and characteristic effects of all of the arts: architecture, sculpture, painting, music, and literature. Dewey thanks Dr. Albert Barnes and illustrates with paintings from Barnes' collection. From the library of Prof. Vincent Tomas of the Brown University Department of Philosophy. Stock# 44,117. Vg / no dj.

Appr.: | AUD 42.42 CAD 43.01 EUR 29.63 GBP 23.53 JPY 4,000.00 MXN 500.00 ZAR 421.05 

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12.   Dewey, John, 1859- 1952.
Art as Experience.
 
Publisher: N.Y., Capricorn Books, [1958]
355 p., index; 18.5 cm. "Based on Dewey's lectures on esthetics, delivered as the first William James Lecturer at Harvard (1932), Art as Experience has grown to be considered internationally as the most distinguished work ever written by an American on the formal structures and characteristic effects of all of the arts: architecture, sculpture, painting, music, and literature." Dewey thanks Dr. Albert Barnes and illustrates with paintings from Barnes' collection. Cover design by Robert Sullivan. Paper covers; minor soiling; VG. Stock#21922.

Appr.: | AUD 13.26 CAD 13.44 EUR 9.26 GBP 7.35 JPY 1,250.00 MXN 156.25 ZAR 131.58 

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13.   DuCasse, Curt John, 1881-1969
The Philosophy of Art
 
Publisher: N.Y., Lincoln MacVeath/ Dial. 1929.
xiv, 3i4 p. A Professof of Philosophy at Brown "devastatingly attacks a number of views of the nature of art and beauty that have been widely received." Inscribed copy. The early owner has pasted a review of a similar title by Henry Popkin. Stock #27034. Vg/vg. Philosophy Aesthetics

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14.   Feldman, Edmund Burke
Art as Image and Idea
 
Publisher: Englewood Cliffs, N.J., Prentice-Hall [c1967]
[xv], 511 p. illus. (part col.) 24 cm. "This book is meant to stimulate thought and discussion about art as it enters into our private lives and our common existence." A semiotic approach to mostly 20th century ary. Stock# 39,397. Good+, binding spotted/ no dj. Art Psychology Composition

Appr.: | AUD 10.60 CAD 10.75 EUR 7.41 GBP 5.88 JPY 1,000.00 MXN 125.00 ZAR 105.26 

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15.   Fry, Roger Eliot, 1866-1934
Vision and Design
 
Publisher: New York, Meridian Books [©1956]
[xii], 302 p. : illus. ; 18 cm. Originally published, London, 1920. From the library of Prof. Vincent Tomas of the Brown University Department of Philosophy. Stock# 102,645. Good+, pencil underlining by Prof. Tomas. / soft cover.

Appr.: | AUD 5.30 CAD 5.38 EUR 3.70 GBP 2.94 JPY 500.00 MXN 62.50 ZAR 52.63 

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16.   Gombrich, E. H. (Ernst Hans), 1909-2001 / Hochberg, Julian E., 1923- / Black, Max, 1909-1988
Art, Perception and Reality [by] E H Gombrich; Julian E Hochbers; Max Black
 
Publisher: Baltimore, Johns Hopkins University Press, 1973, ©1972.
x, 136 p. : illus., ports. ; index, 23 cm. Series: The Alvin and Fanny Blaustein Thalheimer lectures ; 1970. Gombrich, an art historian, Hochberg, a psychologist, and the philosopher Max Black address the question of how people perceive art and reality. Each section has a bibliography and there is a general index. From the library of Prof. Vincent Tomas of the Brown University Department of Philosophy. Stock# 44,045. Vg / soft cover.

Appr.: | AUD 21.21 CAD 21.51 EUR 14.81 GBP 11.76 JPY 2,000.00 MXN 250.00 ZAR 210.53 

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17.   Gombrich, E. H. [Ernst Hans Josef], 1909-2001
Ideals and Idols Essays on Values in History and in Art
 
Publisher: Oxford, Phaidon [1979]
224p. illus., 25cm. Eleven essays gathered here for the first time. Two sections: Value in history and value in art. "Myth and reality in German Wartime Broadcasts" reflects six years the author spent monitoring the broadcasts in Britain. Stock# 34,030. Vg/ dj good+.

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18.   Gregory, R. L.
The Intelligent Eye
 
Publisher: N.Y., McGraw-Hill [1970]
191 p., index, photos, illus., many diagrams, incl. color; pristine stereo glasses in rear pocket; pictorial dj; near fine. 'This new book suggests that the brain-function man has inherited from his biological past has been fundamentally modified by the uniquely human invention of symbols-- especially language and numbers. ...As stereo 3-D illustrations form an important part of the author's evidence, the reader is provided with stereo glasses (in the back of the book) allowing him to experience for himself some of the perceptual effects which demonstrate the underlying theme-- that perception is a continual series of simple hypotheses about the external world, built up and selected by sensory experience.' Stock# 100,370. Language, sensory perception.

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19.   Hauser, Arnold, 1892-1978
The Philosophy of Art History
 
Publisher: New York, Knopf, 1959 [c1958]
x, 410 p., 22 cm. Translation of: Philosophie der Kunstgeschichte, Munich, 1958. Stock# 36,139. Vg/ no dj.

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20.   Hospers, John, 1918-
Understanding the Arts by John Hospers
  Picture
Publisher: Englewood Cliffs, N.J. : Prentice-Hall, ©1982.
x, 431 p. ; index, 22.5 cm. The nine chapters have "Exercises" and "Selected Readings" for each. From the library of Prof. Vincent Tomas of the Brown University Department of Philosophy. Stock# 44,140x. Good+, read and used but not abused.

Appr.: | AUD 21.21 CAD 21.51 EUR 14.81 GBP 11.76 JPY 2,000.00 MXN 250.00 ZAR 210.53 

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21.   Huyghe, René [Rene], 1906-1997
Art and the Spirit of Man
  Picture
Publisher: New York, Abrams [1962]
526 p. 324 illus., 16 col. plates. 22.5 cm. Translated from the French, Art et l'homme, by Norbert Guterman. Stock# 43,901. Vg / dj vg.

Appr.: | AUD 37.12 CAD 37.63 EUR 25.93 GBP 20.59 JPY 3,500.00 MXN 437.50 ZAR 368.42 

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22.   Huyghe, René [Rene], 1906-1997
Art and the Spirit of Man
 
Publisher: New York, Abrams [1962]
526 p. 324 illus., 16 col. plates. 22.5 cm. Translated from the French, Art et l'homme, by Norbert Guterman. Stock# 36,764. Good+/ dj poor, worn, torn.

Appr.: | AUD 37.12 CAD 37.63 EUR 25.93 GBP 20.59 JPY 3,500.00 MXN 437.50 ZAR 368.42 

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23.   Kandinsky, Wassily, 1866-1944 / Tomas, Vincent, 1916-1995
Concerning the Spiritual in Art, and Painting in Particular.
  Picture
Publisher: New York, George Wittenborn, [1955, c1947]
95 p. illus., port. 25 cm. Series: Documents of modern art. "Prose poems (1912-1937)": p. [79]-91. [A version of the Sadleir translation, with considerable re-translation by Francis Golffing, Michael Harrison and Ferdinand Ostertag]. Bibliography: p. 6. This copy includes an offprint of "Kandinsky's Theory of Painting" by Vincent Tomas from The British Journal of Aesthetics, Vol. 9, no. 1, January, 1969, pp. 19-38. From the library of Prof. Vincent Tomas of the Brown University Department of Philosophy. Stock# 43,937. Good+ (offprint g) softcover.

Appr.: | AUD 26.51 CAD 26.88 EUR 18.52 GBP 14.71 JPY 2,500.00 MXN 312.50 ZAR 263.16 

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24.   Langer, Susanne, Katherina Knauth, 1895-1985
Feeling and Form. A Theory of Art Developed from Philosophy in a New Key
  Picture
Publisher: NY, Charles Scribner's Sons [c1953]
xvi, 431 p., illus.; 20.5 cm. "I must beg the reader to regard Feeling and Form as, in effect, Volume II of the study of symbolism that began with Philosophy in a New Key" (p. vii). Bibliography: p. 417-423. Stock#46178. Vg / soft cover.

Appr.: | AUD 15.91 CAD 16.13 EUR 11.11 GBP 8.82 JPY 1,500.00 MXN 187.50 ZAR 157.89 

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25.   Margolis, Joseph, 1924-
The Language of Art and Art Criticism Analytic Questions in Aesthetics by Joseph Margolis
 
Publisher: Detroit, Published for the University of Cincinnati by Wayne State University Press, 1965
201 p., index, 23 cm. "I have explored, in what follows, certain central questions in aesthicts in a highly argumentative spirit." Bibliographical references included in "Notes" (p. 179-196). From the library of Prof. Vincent Tomas of the Brown University Department of Philosophy. Stock# 43,914. Vg/ dj vg.

Appr.: | AUD 26.51 CAD 26.88 EUR 18.52 GBP 14.71 JPY 2,500.00 MXN 312.50 ZAR 263.16 

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26.   Maritain, Jacques, 1882-1973
The Philosophy of Art. With an Introduction by Eric Gill, O.S.D.
  Picture
Publisher: Ditchling, Sussex: S. Dominic's Press [1923]
iii, 182, 1 p.; 18.5 cm. Edition limited to 400 copies. Illustrated with two engravings by Eric Gill, one on the title-page and the other in the colophon. Handsomely printed on deckled paper. Ransom, p. 51; Gill, Evan, no. 85. Bound in marbled paper over boards with a plain black cloth spine; very good. Stock#OB679.

Appr.: | AUD 530.22 CAD 537.63 EUR 370.37 GBP 294.12 JPY 50,000.00 MXN 6,250.00 ZAR 5,263.16 

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27.   Osborne, Harold, 1905-
Aesthetics and Art Theory: an Historical Introduction.
 
Publisher: New York, E. P. Dutton, 1970 [©1968]
320 p. illus. 21 cm. "This book is a study in the history of ideas in a broad sense..." Bibliography: p. 308-313. From the library of Prof. Vincent Tomas of the Brown University Department of Philosophy. Stock# 102,641. Good+ / soft cover.

Appr.: | AUD 10.60 CAD 10.75 EUR 7.41 GBP 5.88 JPY 1,000.00 MXN 125.00 ZAR 105.26 

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28.   Praz, Mario, 1896-1982
Mnemosyne: The Parallel between Literature and the Visual Arts (Bollingen Series XXXV 16)
  Picture
Publisher: [Princeton, NJ] Princeton University Press [1970]
xv, 261 p., 121 illus.; 27 cm "In his search for the common link between literature and the visual arts, Professor Praz draws upon the abundant evidence of long mutual understanding and correspondence between the sister arts. Although parallels of theme and inspiration are plentiful, he is not primarily concerned with these. Rather, he examines the close relationship or air de famille between the expression of the arts in any given epoch. " Stock#45366. Vg, gift inscription from Alan Trueblood to his mother, from his library/dj good+.

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29.   Rau, Catherine
Art and Society; A Reinterpretation of Plato
 
Publisher: New York, R. R. Smith, 1951
88 p. 23 cm. The standard perception os that Book Ten of Plato’s Republic contains what Croce calls “the most solemn and celebrated rigoristic negation of art which has ever been made” (p.38) Rau argues that Plato only despised art with no social value. Bibliography: p. 87-88. MRP. Stock# 38,293. Vg/ dj vg.

Appr.: | AUD 19.09 CAD 19.35 EUR 13.33 GBP 10.59 JPY 1,800.00 MXN 225.00 ZAR 189.47 

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30.   Read, Herbert Edward, Sir, 1893-1968.
The Anatomy of Art; An Introduction to the problems of art and aesthetics, by Herbert Read ...
 
Publisher: New York, Dodd, Mead & Company, 1932.
xii, 224 p. 39 plates. 21 cm. London edition (Faber & Faber limited) and subsequent American have title: The meaning of art. The 39 pages of illustrations appear at the end of the book. Stock# 102,481. Vg / no dj.

Appr.: | AUD 47.72 CAD 48.39 EUR 33.33 GBP 26.47 JPY 4,500.00 MXN 562.50 ZAR 473.68 

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31.   Shahn, Ben, 1898-1969
The Shape of Content
  Picture
Publisher: Cambridge, Mass., Harvard Univ. Press [1974, c1957]
4 p.l., 131 p., color front. & line illus. by the author; 20 cm. Sixth printing; first, 1957; The Charles Eliot Norton lectures, 1956-1957. Contents: Artists in college, The biography of a painting, The shape of content, On nonconformity, Modern evaluations, The education of an artist. Stock#45983. Vg / soft cover.

Appr.: | AUD 10.60 CAD 10.75 EUR 7.41 GBP 5.88 JPY 1,000.00 MXN 125.00 ZAR 105.26 

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32.   Silcock, Arnold, 1889-1953
A Background for Beauty.
 
Publisher: New York, Beechhurst Press [1953]
219 p. 76 b/w, 8 color plates, 26 cm. "Examines Man's conceptions of Beauty from the earliest Stone Age to the twentieth century of Henry Moore and Salvador Dali." Bibliography: p. 197-200. Stock# 38,172. Vg/ dj vg.

Appr.: | AUD 31.81 CAD 32.26 EUR 22.22 GBP 17.65 JPY 3,000.00 MXN 375.00 ZAR 315.79 

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33.   Taine, Hippolyte, 1828-1893
Philosophie de l'Art par H [Hippolyte] Taine Douzieme Edition
 
Publisher: Paris, Hachette, 1906.
2 v. [vii], 292, [iii], 360 p., 18 cm. First published in 1863, this 12th edition is regarded as the best and fullest text. Stock# 102,622. Good+, bound in green cloth.

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34.   Wittgenstein, Ludwig Josef Johan, 1889-1951. Anscombe, G. E. M., editor. McAlister, Linda L. & Margarete Schättle, tr.
Bemerkungen über die Farben. Remarks on Colour. Edited by G. E. M. Anscombe. Tr Linda L. McAlister & Margaret Schättle
 
Publisher: Berkeley, CA, University of California Press, ['First Paperback Printing 1978'].
63, 63e [i. e., 126] p.; 21.5 cm. Printed in German & English on facing pages. "This book comprises material on colour which was written by Wittgenstein in the last eighteen months of his life... It is one of the few documents which shows him concentratedly at work on a single philosophical issue. The principal theme is the features of different colours, of different kinds of colours... and of luminosity-- a theme which Wittgenstein treats in such a way as to destroy the traditional idea that colour is a simple and logically uniform kind of thing." From the library of Prof. Vincent Tomas of the Brown University Department of Philosophy. With a two page discussion of color with painter Walter [Feldman]. Stock# 44,426. Vg / soft cover.

Appr.: | AUD 10.60 CAD 10.75 EUR 7.41 GBP 5.88 JPY 1,000.00 MXN 125.00 ZAR 105.26 

Purchase direct from: The Owl at the Bridge. Item number: 44426.
    
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35.   Wölfflin / Wolfflin, Heinrich, 1864-1945.
Principles of Art History, The Problem of the Development of Style in Later Art, by Heinrich Wölfflin,
 
Publisher: London, G. Bell and Sons, ltd., 1932.
xvi, 237 p. incl. front., illus. 25 x 19 cm. Translated by Marie Donald Mackie Hottinger. First English language edition of a classic of Art History. Stock# 41,179. Vg, covers soiled.

Appr.: | AUD 79.53 CAD 80.65 EUR 55.56 GBP 44.12 JPY 7,500.00 MXN 937.50 ZAR 789.47 

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US$75.00
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35 items found

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